Austin), the owner of the phone in which Gene and friends reside, struggles to win the affections of Addie (Tati Gabrielle), his longtime crush. This narratively complex story also features a heartfelt adventure outside the digital space in a world much like our own. This 90-minute emotional rollercoaster is not limited to a single plotline. As Gene journeys to fit into the rigid expectations of his artificial society with his friends Hi-5 (James Corden) and Jailbreak (Anna Faris), he comes to accept his wonderfully unique role within Textopolis, one of the many sublocations within the digital space. Miller), a meh emoji, as he struggles to find acceptance in a digital world due to his use of a wide array of expressions beyond his predestined emotion ( □ ). The Emoji Movie is this generation’s Van Gogh. Though far surpassing beloved classics like Titanic (1997) and The Godfather (1972), The Emoji Movie was greatly underappreciated at the time of its release. I stand to recognize the gem that is The Emoji Movie (2017).īehold the pinnacle of cinema. I stand against its critics, who shamefully fail to see its magnificence. In a cultural milieu so saturated with cash-grabs and uninspired drivel, it saddens me that the few truly brilliant works of modern filmmaking go woefully unrecognized.Īs such, today, I stand behind a wrongfully-persecuted modern masterpiece, ready to defend the principles of artistic cinema. What makes great cinema? Must it move the masses? Need it withstand the test of time? To these questions and more, I proclaim yes.
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